A Wreath of white flowers....For She Who Sleeps
-- Excerpt from a letter to a deceased child
Nathan Lewis, Untitled, 2009
The Hennepin History Museum is putting on a fantastic exhibit dealing with Victorian Funerary traditions, that will thankfully run through May 2010.
It is an incredibly intimate show, with a long lasting impression. Contrasting the title, there is a great deal of humanity in the exhibit.
The mementos and artifacts are displayed in a most bizarre manner, it seems less curated and more hastily assembled. The lack of straight labels and track lighting have the opposite effect of what you might imagine, instead of creating a campy silly presentation devoid of serious contemplation...some how everything ends up looking more real and tangible.
It truly felt like this was created by a person in mourning concerned less with tidiness and more with loss.
The exhibit almost stands as a wake for a time past.
Exterminating the romanticization of the Victorian Gothic aesthetic, you see the objects as participants of true mourning, with very somber and honest purposes.
We are so familiar with seeing Post Mortem photographs in text books, reproductions, and as sensationalized Movie props that when viewing the Museum's particularly disturbing collection, the experience takes your breath away. Being a product of the Western death culture, I am more comfortable encountering it in a clinical and detached manner. To see the torn edges and handwritten notations was completely different than to read about it.
One must wonder if the souls of the tragically deceased are still inhabiting the images, locked behind a silver veil.
A remarkable show!
A particularly interesting photograph portraying a deceased mother holding her live baby.